Tens of millions of people around the world love Céline Dion. Many millions more can't stand her. Why? Carl Wilson, by no means a Céline fan at the start of his quest, searches for the answer on a year-long 'Dionyssee.' As Wilson strives to understand Céline's global popularity, he faces the question of what drives personal taste - and whether it's possible to change it.
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Count on Toronto-based Plunderphonics creator Oswald to toss a conceptual grenade through the picture window, with two time-stopping compositions (each one note for a half-hour's duration) that have John Cage grinning in his grave. As Chris Cutler puts it in his superb review, "a meditation on hearing" - much the way that a lot of the best abstract art has been a meditation on seeing.
On Record | Posted by zoilus on Friday, January 09 at 11:07 PM | Linking Posts
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